Imogen millais scott biography of michael

Yes, it was weird. The premise is pretty simple: Oscar Wilde and his boyfriend, Bosey, stop into a brothel on Guy Fawkes Night, , to get up to whatever shenanigans they were into, when Bosey surprises Oscar by detouring down the stairs to where the staff is preparing a surprise for Oscar. Glenda Jackson is, of course, the entire reason I actually wanted to sit through the film, but she was almost instantly eclipsed by the gleefully scene-chewy Imogen Millais-Scott, who played Salome.

Reviews for the film 35 years ago also singled Millais-Scott out to heap praise on her performance even while generally panning the film and taking well-earned pot shots at Russell , noting that she had more or less lost her vision right after being cast in the film due to an illness, and the fact that her eyes always appear a little unfocused actually made her performance even more surreal and captivating.

For whatever reason, Imogen Millais-Scott never went on to act in another film her only other noteworthy film was an adaptation of Little Dorrit in , according to IMDB.

Imogen millais scott biography of michael

Another one-and-done member of this production was costume designer Michael Arrals, whose designs are campy and glitzy and utterly perfect for the campy, glitzy subject matter. It is, after all, a brothel. You never know! Whether at full, booming volume or a falsely intimate stage whisper, her voice remains perfectly controlled. Particularly as interpreted by Oscar Wilde in the play that is the centerpiece of this film, Salome is a story of desire as destiny, inviting peril that is inevitable even in the face of stern, clear warnings.

Nickolas Grace is a competent but not quite charismatic Wilde, who arrives that evening at a largely male brothel with his lover, Lord Alfred Douglas, aka Bosie a fittingly brittle Douglas Hodge. It is too dangerous for Alfred Taylor to let Rose return to her life as a chambermaid after she has played Salome, just as it is too dangerous for Herod to let Salome go back to being a princess after she has kissed the mouth of John the Baptist.

And then he cast himself in it, as a photographer. I haven't seen Lisztomania so can't comment on it but presenting Liszt as the equivalent of an OTT modern rock star seemed a valid statement to make at the time. The horrid Devils has horrid music by horrid Maxwell Davies as well. Essential viewing imho, even if from behind the sofa at times.

Sir Max also did the music for The Boyfriend! The sad news arrived also in Japan. Unlike his other extravagant biopics, this film is strictly based on the biographical facts and has genuine touch and serene atmosphere. I love it. Good to hear from you, Shin-ichi, and looking forward to seeing you at the Southbank. I'm ashamed to say I've never seen the Delius film, which is generally reckoned to be among KR's early masterpieces.

Perhaps I can rectify that at the RFH. I have a cassette somewhere recorded off the radio of Rattle and the London Sinfonietta performing it. Never saw the film but always remember the bridal couple at one of my mother's goddaughters' wedding - a very short-lived one - getting a copy of the LP. Twiggy bizarrely paired in the movie with Christopher Gable spoke with her usual verve and naturalness about Ken on the radio a couple of days ago.

Post a Comment. Thursday, 1 December Ken's last dance. I've been trying to put together a coherent picture in my head of what I really think about Ken Russell's films since news of his death broke earlier this week. And the light went on when someone said his music-and-image sequences were the forerunners of the best-made pop videos.

Those are the elements which will stick in the mind for the right reasons. References [ edit ]. Trailers from Hell. The Irish Times. Chicago Review Press. ISBN Open Humanities Press: 5— ISSN X. Retrieved 20 April The New York Times. Thomas, Kevin. Los Angeles Times. External links [ edit ]. Works directed by Ken Russell. Unrealised projects.

Oscar Wilde 's Salome themes and derivatives.