Nino rota biography brevet

He wrote more than scores for Italian and international productions from the s until his death in — an average of three scores each year over a year period, and in his most productive period from the late s to the mids he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in Alongside this great body of film work, he composed ten operas , five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto.

He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo De Filippo [ 3 ] as well as maintaining a long teaching career at the Liceo Musicale in Bari , Italy, where he was the director for almost 30 years. He studied at the Milan conservatory there under Giacomo Orefice [ 3 ] and then undertook serious study of composition under Ildebrando Pizzetti and Alfredo Casella at the Conservatorio Santa Cecilia in Rome , graduating in He won a scholarship to the Curtis Institute of Philadelphia , where he was taught conducting by Fritz Reiner and had Rosario Scalero as an instructor in composition.

Rota earned a degree in literature from the University of Milan, graduating in , and began a teaching career that led to the directorship of the Liceo Musicale in Bari , a title he held from until Nino Rota wrote scores to more than films. These included the score for The Glass Mountain in , [ 1 ] which was notable for the singing of Tito Gobbi.

The film won a number of awards. In his entry on Rota in the edition of The Concise Baker's Biographical Dictionary of Composers and Musicians , music scholar Nicolas Slonimsky described him as "brilliant" and stated that his musical style:. However, his most durable compositions are related to his music for the cinema; he composed the soundtracks of a great number of films by the Italian director Federico Fellini covering the period from to One of Rota's compositional habits, however, came up for disapproving remarks: his penchant for pastiche of various past styles, which quite often turned into outright quotation of his own earlier music or even others' music.

During the s, Rota composed scores for more than 32 films, including Renato Castellani 's Zaza [ it ] The most precious collaborator I have ever had, I say it straightaway and don't even have to hesitate, was Nino Rota — between us, immediately, a complete, total, harmony He had a geometric imagination, a musical approach worthy of celestial spheres.

He thus had no need to see images from my movies. When I asked him about the melodies he had in mind to comment one sequence or another, I clearly realized he was not concerned with images at all. His world was inner, inside himself, and reality had no way to enter it. We are featuring this profile in the Connection Finder this week. Between now and Wednesday is a good time to take a look at the sources and biography to see if there are updates and improvements that need made, especially those that will bring it up to WikiTree Style Guide standards.

Nino rota biography brevet

We know it's short notice, so don't fret too much. Just do what you can. Login to see how you relate to 33 million family members. Giovanni Rota - Giovanni Nino Rota. Rota nonetheless remained active outside of cinema and television, composing the ballet La strada and the oratorio Mysterium Catholicum , as well as a number of other sacred works.

Starting in the s, critics became sharply divided on Rota's music. The most scathing reviews were directed at his score for Side Street Story , which certain critics felt to be a jumble of heterogeneous musical styles and syntaxes. Fellini's moving obituary to his "magical friend," published in Messaggero , encapsulated the depth of his admiration for the composer.

Rota's strength, he wrote, was his "geometric imagination, his sometimes celestial musical vision" which allowed him to merge music with moving image as no other could. Do you notice a mistake? Roque Cordero. Gaspar Cassado. Raymond Pauls. Pier Gavinie.